![]() ![]() This app may contain content provided by third parties. You may disable in-app purchasing using your device settings. Real Racing 3 is the award-winning franchise that sets a new standard for mobile racing games. Includes in-game advertising collects data through third party analytics technology (see Privacy & Cookie Policy for details) contains direct links to the Internet and social networking sites intended for an audience over 13.Take on the world-wide motorsports – including Formula 1® - anytime, anywhere! Real cars. Welcome to the definitive racing experience.ĮA may retire online features and services after 30 days’ notice posted on Important Consumer Information: requires a persistent Internet connection (network fees may apply) Requires acceptance of EA’s Privacy & Cookie Policy and User Agreement. Real Racing 3 delivers it all and pushes the boundaries with every update. Enjoy a rich, next-gen game with the most advanced cross-platform social and competitive racing community ever. Powered by the remarkable Mint™ 3 Engine, Real Racing 3 features detailed car damage, fully functioning rear view mirrors, and dynamic reflections for truly HD racing. View the action from a variety of camera angles, tweak the HUD and fine-tune the controls to your personal preference. Customize your car with a huge collection of paints, vinyls and rims. Choose from a wide range of upgrades to maximize your car’s performance. Or drop into any race to challenge their AI-controlled versions in Time-Shifted Multiplayer™.Ĭompete in over 4,000 events including Cup races, Eliminations and Endurance challenges. Go bumper to bumper with friends and rivals in global 8-player, cross-platform, real-time racing with drafting. Take the wheel of over 140 intensely detailed vehicles from iconic manufacturers like Ford, Ferrari, Lamborghini, Aston Martin and Mercedes-Benz and test your skills on an authentic 43-car race grid – the most epic racing experience on any handheld.īurn rubber on a full lineup of 17 real tracks in multiple configurations from top worldwide locations, including Silverstone, Hockenheimring, Le Mans, Dubai Autodrome and many more. “Sets the new standard on mobile for racing games” (Pocket Gamer, 9/10, Gold Award) “A stunning visual masterpiece on mobile” (Touch Arcade) “Feels a full generation ahead of the competition” (IGN, 9.1/10, Editors’ Choice) Please make sure you have at least 1.5GB of free space on your device.** **This is a resource-intensive game featuring extremely high quality visuals. Plus Real-Time Multiplayer, Social Leaderboards, Time Trials, night racing, and innovative Time Shifted Multiplayer™ (TSM) technology, allowing you to race anyone, anytime, anywhere. Real Racing 3 features an ever-expanding roster of officially licensed tracks with 39 circuits at 17 real-world locations, a 43-car grid and over 140 meticulously detailed cars from top manufacturers. Meffy Awards – FINALIST: Best Mobile Game 2013 ![]() Game Connect Asia Pacific – WINNER: Game of The Year 2013, Technical Excellence, Excellence in Art Mobile Excellence Awards – WINNER: Best Mobile Game 2013 ![]() TabbyAwards 2014 – WINNER: Best Action, Adventure, Arcade & Racing Game Real Racing 3 is the award-winning franchise that sets a new standard for mobile racing games – you have to play it to believe it. **#1 Top Free App in over 100 countries** ![]()
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![]() The only problem is, it only makes square videos. ![]() First up for me will be storyboarding video ideas. For its captioning feature alone, I could see a lot of people using it. Videos from Clips will also be something to share on Apple's iCloud across other devices, a territory that the automatic Memories video clips in Photos have already begun to explore.Ĭlips feels familiar, but its deeper editing ability could make it useful for on-the-fly social video posting. After I make a video, the app can scan photos of recognized people tagged in Apple's Photos app or audio of any names on my iPhone's contacts, and suggest those people to share with on iMessage. Or, perhaps, it's a bit of a burgeoning social network after all. It seems like an in-between tool to get people's feet wet in video editing without getting lost in iMovie, which has long existed on iOS. According to Apple, to share with Snapchat you'll just save a video to your camera roll and upload once you're in Snapchat. It exports and directly shares into other apps, including Facebook, Vimeo, YouTube and Instagram to start. Not a social network (or maybe it is, just a bit)Ĭlips isn't designed to have its own social network. I set my coffee video to Zimmer's thumping orchestral riffs, and it was as absurd as I'd hoped.Ĭlips on an iPad, showing a debt to iMovie's trailer mode. Some recognizable artists are on there, including film composer Hans " Bwaaaarp" Zimmer. There are several dozen soundtracks included in the app, and they layer in automatically to fit the video clip's length. ![]() Apple designed it for people who watch videos with audio off, like almost everyone on Facebook. Some captions scroll across the bottom like a TV chyron, while others pop up large, word by word, splashed across the screen. a coffee," the text pops up appropriately and even adds line breaks for effect. If I slowly deliver a line such as, "I'm about to have. What really impressed me was the app's ability to turn audio into captions added right into the video, timed to when you actually said it. Video clips can be edited and moved around, making it a little like a mini-iMovie.Īuto-transcribed captions and automatic soundtracks There are also a bunch of bubbles and other effects, which I didn't even get a chance to try. According to Apple, however, it's committed to adding new effects and filters over time. Emoji can be slapped onto videos in various sizes, but there aren't any iMessage stickers. There are real-time filters for photos or video, from tinted black-and-white to Prisma-like comic book effects. In that sense, it feels more advanced than the editing tools you find in Snapchat or Vine. Multiple clips can be added and then dragged around to re-edit nonlinearly, like iMovie. ![]() The tools are simple: Pressing and holding a red record button captures video clips, or you can add ones from your camera roll. In a lot of ways, Clips feels like it's inherited some of that trailer-mode spirit from its older sibling. ![]() Titles and end cards can be added to videos, much like iMovie's trailer-like effects. The layout of Clips feels like other tools I use all the time. Apple is aiming for video that can be shared vertically or horizontally, and can work well on a phone. Going squareĬlips records all its video in a square format, like Instagram or Vine. Alas, I don't have that video to share, but I can describe what it was like to make. I used it for a few minutes to shoot video clips of a barista who nicely made me a coffee. It's a free app that will arrive in April, and works on the iPhone 5S and later, or on an iPad (Air, Mini 2 and later) or an iPod Touch. It's a video-editing tool.Ĭlips is, in fact, more like a phone-first, vertical-friendly version of iMovie. But Clips, which I got a chance to try my hands on in New York, doesn't have its own social platform. The first thing you'd think looking at Clips, Apple's newly announced video-editing app, is that it's trying to be Snapchat. ![]() ![]() ![]() All models appearing on this website are over 18 y.o. So watch and download your favourite mobile porn here, at our wapbold porn site and don`t forget to bookmark us! See you at )Īll porn videos and images are property and copyright of their owners. is a free online porn tube portal, where can watch and dowload many free porn movies and porn videos, which is daily updated. Don't hesitate and enter right now, its content will cause you addiction. 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These appeals for a return to the ethics and values of cooperation have to be seen as a wake-up call of the ‘Internationalisation at Home’ movement in Europe at the end of the 1990s in reaction to the focus on Erasmus exchanges (what about the 95% of non-mobile students, people asked), and the call for ‘Internationalisation of the Curriculum’ in the United Kingdom and Australia in reaction to the exclusive focus on international student recruitment and off-shore delivery.Īt the beginning of 2020, although critiques of the notion of internationalisation as a competitive and exclusive tradeable commodity became widely acknowledged and notions like ‘internationalisation at home’, ‘internationalisation of the curriculum’, ‘internationalisation for society’, ‘humanistic internationalisation’ and ‘global learning for all’ have found ample support in reports, documents, statements and even policies, the reality of internationalisation as a tradeable commodity was still strongly prevalent. In 2015 this all culminated in an updated definition, highlighting internationalisation as an intentional process focused on quality, inclusion and service to society. Also, critiques of internationalisation as a Western paradigm became more prominent, with calls for the emerging internationalisation in the Global South to take its own direction. Jane Knight wrote in 2014 about the myths of internationalisation and I wrote about its misconceptions. Ten years ago the International Association of Universities had started to rethink the concept of internationalisation and in the United States this resulted in a call for ‘comprehensive internationalisation’ by organisations such as the American Council on Education and NAFSA. Our 2011 critical reflection on the reality and direction of internationalisation as a tradeable commodity was not unique. The optimism at the end of the 1980s that internationalisation would move from an ad hoc, marginalised and fragmented activity to a central point on the higher education agenda had resulted in a broad acceptance of internationalisation as one of the core drivers of innovation and change in higher education.īut the direction it took was one of copying the already prevalent competitive approach in the United Kingdom and Australia: recruitment of international students, development of cross-border education for revenue and competition for talent (skilled immigration) and reputation (rankings). ![]() Essentially, we said: “We need to reaffirm the core role of universities: to help understand this world and to improve our dealings with it.” We expressed concern about the devaluation of internationalisation as it was meant to be and called for critical reflection about the way it was conceived. ![]() We stated that, although higher education internationalisation “is claimed to be the last stand for humanistic ideas against a world of pure economic benefits”, the reality is that “this ignores the fact that activities more related to the concept of globalisation (higher education as a tradeable commodity) are increasingly executed under the flag of internationalisation”. Tweet In 2011 Uwe Brandenburg and I wrote an essay with the provocative title “The End of Internationalisation”. ![]() ![]() Please contact me if such errors occur since I'd like to fix them as fast as possible. Some formats are too greedy and interpret all data even if they cannot understand them - Garmin's POI database format quite often presents garbage to the user. Some formats are too strict and reject files that were actually intended for them - this happens quite often with the XML-based formats such as GPX and KML. Which version of RouteConverter have you've been using (, 17:41) Stav Wrote: I know I have a java problem - it closes down RouteConverter, very annoying especially if route not saved, but I never had the. Then all the supported formats try to read the given file. That's the Google Maps Directions API claiming that RouteConverter sent 26 waypoints while the limit is 23 plus start and end. The file extension is taken as a first indicator which formats to read first. So I've made a feature out of it: RouteConverter automatically detects the format of an arbitrary file and reads the GPS data from the file. This robustness is not visible to the user but it costs a lot of effort in programming. In order not to crash it would have to apply a lot of checks and tests to validate the read data. If RouteConverter would stick to the file extension when reading files or rely on the user to choose the format that could lead to wrong results since RouteConverter would try to fill the internal data structures from the data found in the file. Multiple position lists within one file are supported for the following formats:Ī computer science principle when implementing robust programs is:īe lenient when reading data and strict when writing data. The sum of all ascends between its positions is 1427 meters, the sum of all descends between its positions is 1355 meters.
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You can store and share files, collaborate on projects, and bring your best ideas to life-whether you’re working alone or with colleagues and clients. ![]() ![]() In this regard, this failure of the means of coercion reminds us of the ones that are often applied to banks and corporations that can easily buy their right to despise the law. The difference between the people characterized by Sarkozy as scum, and these illegal municipalities is that the first ones tend to go to jail when judged guilty of the crimes of which they are accused disobeying mayors, on the other hand, have to pay a fine, something that many seems to widely prefer rather than integrating a more important amount of socially precarious individuals and families as their constituents. Hence the question that gives its title to this article: “Who is the scum now?” For instance, Sarkozy’s city, Neuilly-sur-Seine - he was its mayor between 19 - counts less than 5% (1,435 out of 30,448) of social housing. On the contrary, the map shows no less than 149 municipalities that are not compliant with the law, including 60 that do not even reach a percentage of 10% (in red). Municipalities showed in green are compliant with this legislation, and those in bright green even includes more than 25% of social housing - the 95 cités showed on the map in white are, of course, almost exclusively in these municipalities. The map presented above shows the quasi-totality of Paris’s urban area and its municipalities, including the 20 arrondissements that compose Paris proper. Let’s thus keep this definition in mind while introducing a piece of legislation that directly addresses the social (and by extension, racial) segregation that spatially organizes Paris and its banlieues: the SRU Law (Solidarity and Urban Renewal), voted in December 2000, obliges each municipality counting more than 3,500 inhabitants (1,500 in the Paris region) - other exemptions include the impossibility for a municipality to build more on its land - to comply with the ratio of 20% of its total housing to be social housing. Although Sarkozy’s policies and speeches have been consistently relying on fundamentally racist and colonial principles - many of uf will remember the 2010 speech of Grenoble about immigration or the 2007 one in Dakar about “Africa, not having yet entered history” - we can give him the benefit of the doubt that his definition of scum ( racaille) consists in people despising the law and arrogantly disobeying it. These two events sparked the important revolts of the banlieues that were only responded with a state of emergency and more police control. a particularly aggressive branch of the police in the banlieues), chasing them illegitimately (see past article). ![]() The next day, Bouna Traoré and Zyed Benna, two teenagers from Clichy-sous-Bois, died of electrocution while they were trying to run away from the BAC (Brigade Anti-Criminalité, i.e. chief of the police), Nicolas Sarkozy, who will be elected President two years later, was visiting the banlieue of Argenteuil when he addressed a person at her window: “You’re tired of this scum, aren’t you? Well, we’re going to get rid of it for you!” ( see video). On October 26, 2005, recently re-nominated Minister of Interior Affairs (i.e. ![]() “ The Banlieue Archipelago,” “ Another Paris,” and “ 15-minute walk from a train station” maps) and, more generally, to the on-going series of articles about the Paris banlieues (updated map in 2017 at the end of this article). ![]() This article and map are in the continuity of the five others made in the past year (cf. If you enjoy articles of the blog, have a look at The Funambulist Magazine! 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